Bisset Brief: Translator Rack Construction Tips | Telos Alliance

By The Telos Alliance Team on Jun 21, 2018 12:56:41 PM

Bisset Brief: Translator Rack Construction Tips

Dan Feely, Chief Engineer of Mount Wilson FM’s Global Jazz, shared some techniques in building translator racks that I thought you’d like to consider. First, Dan builds them all the same. By adopting the same complement of equipment, troubleshooting is more efficient and fewer spares are needed. So much the better if you can standardize on equipment brands. By adopting this technique, which is also shared by EMF in Rocklin, CA, installations are smoother.

Pic for #17There’s also an advantage to racking everything up at your shop–instead of “on-site.” All of your tools and parts and supplies like wiring, wire ties, and connectors are in your shop–some might be forgotten if you do the install at the translator site. In addition, the weather conditions may not be ideal. Better you place everything in the rack in the comfort of your shop. Finally, if you have a dummy load, you can test the rack before you install it.

To further simplify the operation, Dan racks up the equipment in the order of signal flow. Again, this helps in both troubleshooting and quickly understanding the signal path, especially if an engineer unfamiliar with the site is visiting for the first time.

To further simplify the operation, Dan racks up the equipment in the order of signal flow. Again, this helps in both troubleshooting and quickly understanding the signal path, especially if an engineer unfamiliar with the site is visiting for the first time.

Dan’s equipment positioning starts with the incoming signal at the top of the rack. In Dan's case, that’s with the codec being used as an STL. Its output feeds his station's Omnia.11 audio processor (Dan doesn't skimp on the processing).

Next in line is an exciter, whose output feeds a filter and then the transmission line to the antenna. Looping things back to the top of the rack is a modulation monitor, which feeds off-air audio into the codec for confidence monitoring back at the studio.

Dan adds, "Don’t forget the signal flow block diagram or schematic!" Even for simple translator installations, having a copy of the equipment hookup both on-site and in your files back at the office is helpful. It’s also a good idea to identify the equipment models and serial numbers. This can speed up repairs, getting a Return Authorization, or determining if a model needs a software or firmware update. While you’re at it, Dan recommends you snap a picture of the equipment on your cell phone. The picture can be helpful if you have multiple sites, and different brands of equipment. Finally, add any special settings for the equipment.

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Further Reading

For more broadcast engineering tips from John Bisset, check out these posts:

The Bisset Brief: Considering a Wireless Bridge STL

The Bisset Brief: xSelector in Action at WAMU

The Bisset Brief: The Little Console Engine that Could

Telos Alliance has led the audio industry’s innovation in Broadcast Audio, Digital Mixing & Mastering, Audio Processors & Compression, Broadcast Mixing Consoles, Audio Interfaces, AoIP & VoIP for over three decades. The Telos Alliance family of products include Telos® Systems, Omnia® Audio, Axia® Audio, Linear Acoustic®, 25-Seven® Systems, Minnetonka™ Audio and Jünger Audio. Covering all ranges of Audio Applications for Radio & Television from Telos Infinity IP Intercom Systems, Jünger Audio AIXpressor Audio Processor, Omnia 11 Radio Processors, Axia Networked Quasar Broadcast Mixing Consoles and Linear Acoustic AMS Audio Quality Loudness Monitoring and 25-Seven TVC-15 Watermark Analyzer & Monitor. Telos Alliance offers audio solutions for any and every Radio, Television, Live Events, Podcast & Live Streaming Studio With Telos Alliance “Broadcast Without Limits.”

Topics: Broadcast Engineering, omnia.11`, tech tips

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