Recent Posts
Retiring a king, and crowning a new one
There are probably very few broadcasters active today who haven’t used a Telos ONE hybrid at one time or another. After all, they’re everywhere – newsrooms, remote vans, editing booths, conference rooms, production suites, home studios; you name it. So it’s worth a tip of the hat as the ONE, a watershed product that’s served broadcasters well since 1993, rides off into the sunset.
There were several factors that made Telos ONE a radio favorite. ONE hybrids sound superb, and were the lowest-priced auto-nulling all-digital hybrids on the market for many years. The combination of our Digital Dynamic EQ (a DSP implementation which became rightly famous), digital acoustic ducking to help talent better control the conversation, and a genius way of using the input as a control signal for output gain processing, made the ONE a hard number to beat.
Read More
Love and Rockets, Cleveland style
All of us at the Telos Alliance share with our clients a fatal attraction to broadcasting, as well as a passion for making great audio. But many of us have other hobbies and interests that might surprise you. From time to time, we'll profile members of the Telos Alliance and what they do when they're not inventing the next generation of broadcast audio gear.
Read More
Keep CALM and Control the Loudness
On December 13th, 2012, the rules of CALM went into effect, and the FCC began enforcing them. In its simplest terms, this means over-the-air (OTA) broadcasters, cable operators, satellite television providers, and multichannel video program distributors must ensure that commercials have the same average loudness as the programs they accompany.
Read More
Golden West Chooses Axia - Again!
Canadian broadcaster loves IP Audio
Golden West Radio serves small and medium-sized communities in Canada, across western Ontario, Manitoba, Saskatchewan and Alberta with a network of 30 AM and FM stations.
Read More
Linear Acoustic takes care of transcoding at China Central Television
Master Control racks at CCTV's new HD facilities in Beijing, featuring Linear Acoustic LA-5269 Dolby Digital/Plus Transcoders. Three LA-5269s are already on the air on CCTV-3, CCTV-5, and CCTV-8.
As the predominant state television broadcaster in mainland China, Chinese Central Television (CCTV) programs 24 channels accessible to more than 1 billion viewers. Their new broadcast facilities were built to be "100% HD ready."
Telos Systems ProStream: Constructing Metadata Filters
John Ariosa writes from Maryland, asking:
Read MoreOmnia ONE: Sound big. Spend small.
You don't have to spend major bucks for major-market sound
We always like to hear from satisfied station General Managers. After all, if daddy (or mommy) ain't happy, no one else is!
Topics: broadcast audio processor
AM Alive & Well at WQUN
At Quinnipiac University, they take radio pretty seriously. In 1996, the university purchased a 1 KW AM directional station in Hamden, Connecticut. Following a 1-year renovation, WQUN signed on with a diverse format that includes local news, interviews, national news, and live coverage of Quinnipiac sports. Chief Engineer Ryan Krupa is tasked with upgrading the facilities to beyond state of the art. A major part of the overhaul was the purchase and installation of four Axia Element consoles.
Hybrids, Codecs, and Encoders - What's the Difference?
We sometimes get asked: what's the difference between hybrids, codecs and stream encoders? Let's take a moment and talk about how these different technologies.
Read MoreCALM Before the Storm
Feeling Worried? Or Feeling CALM?
At the time of this writing, it has been nearly a year since the CALM Act was signed into law and the date on which the rules of the CALM Act officially go into effect is getting closer.
Read More