Don't just listen to music... surround yourself with it
Hey, broadcasters, webcasters, and streamers—let’s talk audio. Specifically, your audio. Right now, you’re probably sending out stereo content. It sounds fine, sure. It’s what everyone’s been used to since about, oh, 1959. But is fine really enough?
Topics: Frank Foti, Immersive Audio, 2025, Upmixing, Syndicate Of Sounds
Conoce a Axia® Altus
- Imagina una consola que:
● Ofrece una mezcla de funciones completas para su fuerza de trabajo distribuida y remota. - ● Permite la colaboración simultánea de varios usuarios en un solo programa en vivo o grabado.
- ● Permite instalar estudios temporales en cualquier lugar en cuestión de minutos.
- ● Se puede controlar mediante computadoras y tabletas que tu equipo ya tiene.
● Proporciona una opción sencilla y de bajo costo para la recuperación ante desastres.
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Topics: Radio Consoles, AES67, Audio over IP, Livewire, virtual radio software, Axia Altus
"Just Good Enough audio won't cut it anymore"
High-quality audio is a crucial component of live sports broadcasting. Exceptional audio intensifies live sporting events and creates unforgettable moments that resonate on a deeper level. Reproducing the unique sounds of a stadium or racetrack to create truly engaging experiences for TV audiences is complex, but emerging technologies and deep innovation are beginning to change the game.
Topics: Television Audio, Next Generaton Audio, Sporting Events, Immersive Audio
Welcome to another edition of "Ask The Omnia Guy", a continuing series of expert answers by the Omnia guy, Paul Kriegler, to real-world questions from our electronic mailbag. Our question:
Q: "Hey Omnia Guy - I have a budget of about $5000 for a new FM audio processor. Is there a solution that falls somewhere between the Omnia VOLT and Omnia.11 that works with my budget?"
A:Yes! The Omnia.9sg. 'But wait', you say, 'isn't Omnia.9sg just a standalone stereo generator? I need a full audio processor!' Well, right you are - except that's not all that Omnia.9sg can do.
Read MoreTopics: Omnia Audio, Radio Audio Processing, Audio Processing, omnia.9sg, broadcast audio processor
¿Por qué tiene sentido elegir Livewire para su red de audio sobre IP?
Hicimos trabajar AoIP para broadcast. Las patentes están en nuestra oficina de Cleveland. Nuestra arquitectura abierta permite que otras empresas utilicen Livewire. No es una red propietaria como otras redes.
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Topics: AES67, Audio over IP, Livewire, aoip, AoIP networking
Using a microphone properly isn't as easy as it looks. Here are tips to get new users on the right track.
Read MoreTopics: Radio Technology, 2024, Studio Basics
Welcome to another edition of "Ask The Omnia Guy", a continuing series of expert answers by the Omnia guy, Paul Kriegler, to real-world questions from our electronic mailbag. Our question:
Q: "Hey Omnia Guy - If I purchase the Nielsen watermark license for our Omnia.9, can it encode our HD channels as well as our streams?"
A: Short answer: Yes! The latest version of Omnia.9 software allows you to watermark any program stream your Omnia.9's processing.
Read MoreTopics: Streaming Audio, audio watermarking, Omnia.9, broadcast audio processor, HD Radio, Neilsen
Yannick Olivier, lead broadcast engineer, France Télévisions, and Costa Nikols, strategy advisor, M&E, Telos Alliance, look at the future of sport audio
Major live events like the Paris games, Paralympics and UEFA Euro 2024 dominated TV screens and drew in millions of audiences around the world this past summer. While growing investment in 4K UHD and ever-increasing demand for superior viewing quality push broadcasters and streaming services to innovate with more immersive on-screen experiences, there’s an unsung hero that has underpinned every cup final, gold-medal race and penalty shootout: the audio.
Read MoreTopics: Television Audio, Next Generaton Audio, Sporting Events, 2024, S-ADM, Immersive Audio